Tuesday, September 24th, 2019, at noon
Music in the Museum Series – Colby College
Spanish guitar in the 1860’s: solos and canciones
Colby Museum of Art
The Paul J. Schupf Wing for the Works of Alex Katz
Waterville, me
Timothy Burris, guitar, with special guest Joëlle Morris, mezzo-soprano.
This program is something of an experiment, bringing the performance-practice methodologies of early music to bear on a relatively recent body of music. The earliest piece on the program was published in 1860, or 159 years in the past. In fairness, had early music pioneer Arnold Dolmetsch (1858 – 1940) included music of early- to mid-period Haydn on one of his programs, the gap in time would have been about the same.
This program consists of the music of one decade(the 1860’s) in one country (Spain) composed for one instrument (the guitar). This decade was selected because the guitar used in the concert is a copy of an instrument built in 1864 by Antonio de Torres Jurado (and numbered FE17, or ‘First Epoch 17’). Guitar solos include works by Julián Arcas, Jaume Bosch (born in Barcelona, his German last name notwithstanding), Antonio Cano, and José Viñas; songs by Tomas Damas round out the program.
https://www.colby.edu/museum/2019/07/02/music-in-the-museum-tim-burris-and-joelle-morris/
André Previn, Lukas Foss, Bunita Marcus, and Maine composers Richard Nelson and Nancy Gunn. Featured on the program will be the World Premiere of USM faculty composer Daniel Sonenberg’s Beauty is Not Enough, a cycle of six songs on texts by Maine native Edna St. Vincent Millay.
The first annual Glenn Jenks Ragtime Revue honors the life and legacy of Camden’s own ragtime pianist and composer by presenting today’s hottest singers and piano players.